How these breathtaking photos from 2014 use creative devices – HW #3

Each of the images below illustrate the use of multiple photographic devices, which led The Washington Post (image 1), The New York Times (images 2 and 4) and The Associated Press (image 3) to select them as some of the best images of 2014. For each photo, I will analyze and describe what mechanisms I believe the photographers were able to capture. To see an image’s original source, click on the photograph.

Blog_Post_Best2014photos
Image by Amanda Voisard, The Washington Post. A bird takes flight as the sun rises over Arlington National Cemetery in Section 60 on May 22. Hundreds of Iraq and Afghanistan war dead are buried in the section.

For this shot, I recognize several creative devices, including selective focus on the right-hand side/bottom, dominant foreground/contributing background, the rule of thirds and diagonal lines, which are formed by tombstones’ alignment. Together, these elements form a very professional aesthetic.

Colorado Dispensary
Jan. 22, 2014, Denver, Colorado. Photo by Ed Kashi for The New York Times. A worker cures marijuana at a dispensary and grow house. In January 2014, Colorado legalized the sale of recreational marijuana.

This image is clearly interesting whether one has knowledge on photographic creative devices or not, but the components that I sense make the picture so good are texture, details, an unusual perspective, layering, the rule of thirds and interestingly, the two separate C-curves being shaped by the colorful tags.

Maria_Sharapova_French_Open
Photo by David Vincent for The Associated Press, June 7, 2014. Russia’s Maria Sharapova reacts after defeating Romania’s Simona Halep during their final match of the French Open tennis tournament at the Roland Garros stadium, in Paris, France, Saturday, June 7, 2014. Sharapova won 6-4, 6-7, 6-4.

In this photograph, I detect various devices in use, such as strong emotion, rule of thirds, action, an S-curve formed by Maria Sharapova’s body and detailed texture, seen in the wrinkles of her clothes, the texture of the court and her muscles. Also, I was personally very attracted to the overall color scheme.

NYC Ballet Dancers
Photo by Andrea Mohin for The New York Times, Jan. 24, 2014. The New York City Ballet dancers Emily Kikta and Meaghan Dutton-O’Hara look for themselves in a photo installation by the street artist JR at Lincoln Center.

This lively photo exemplifies many creative devices, but the first that caught my eye were (once again) the rule of thirds, introducing color into a monochromatic scheme, patterns, texture and C-curves.

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